The key concern for Meglo is contemporary fiction. So, we’ve put ourselves in a bit of a difficult situation here, because this means we have to define what “the contemporary” means. On the one hand, and for the simple the purpose of this blog, “contemporary fiction” plainly means new fiction. Anyone who is writing and publishing fiction at this moment can be considered contemporary. But, then, what is “this moment”? And does contemporary really simply mean “new” or “happening now”, or is it more of a cultural construct?
The idea of the contemporary implies time, and since human beings experience life inside time, the implication is that the contemporary is also an experience. Therefore, the contemporary is difficult to categorise because it is constantly in flux; once we state “this is now”, that “now” has already past and we are living in a future moment of “now”. Yet this difficulty of the contemporary is also its strength. The beauty of the contemporary is that it is constantly moving forward, propelled by the arrow of time.
So, where does this leave contemporary fiction? When you study literature, you learn about literary movements in blocks of time – you move from medieval, to Romantic, to Victorian, to Modernism. This is a terribly simplistic overview, but you get the picture; literature is contextualised within its (very general) historical moment. But it is not unusual to hear people state that there is no movement within contemporary fiction. But Meglo is a space that seeks to prove this sentiment is false. There is so much happening in the contemporary literary sphere, in fact, there is not just one movement, but there are several!
The contemporary captures the spirit of an age, but the irony is that that spirit only becomes concrete once the current moment has past. We encourage constant discussion about contemporary fiction, because we believe that such a dialogue is the sphere of the contemporary. Channels of communication enable the continuous flux, and the internet is the best place to open these channels, because here, everyone has a platform and everyone has a voice.
We concentrate particularly on weird and speculative fiction, because we think that the sf community is a vibrant place full of intriguing and cutting-edge ideas. Sci-fi has moved from it’s parents’ basement to join the populace, and the results are pretty interesting. Speculative fiction is also of specific interest because it blurs those antiquated boundaries between pulp/genre fiction and traditional literary fiction. And, as we’ve readily discovered, the contemporary is pretty much all a blur!
So does the contemporary come with the “end of history”? Does it belong in the moment of postmodernism, or evern post-postmodernism? Does the contemporary emerge with the dawn of the information age? We’re not sure, in fact, nobody’s really sure (seriously, try discussing this topic with a literature scholar)! Literature is constructed from and a response to the concerns of its time. Contemporary fiction is built of our current cultural, social and historical experiences, and the conversations these experiences inspire.
So let’s keep taking, the floor is yours